Derek Webb has a new album dropping in just a few short days.
I was wrong, I’m sorry and I love you.
I’ve practically grown up with Webb – first listening to Caedmon’s Call in high school and college and now following his solo career as I made my way through the world of post-school, married with kids life.
His music has become a life canon of sorts for numerous points in my life.
As others before have mentioned, good art should make us think, question and often challenge the world around us – and Derek’s music has always done just that – including this latest release.
Luckily, you don’t have to wait until the album officially drops in early September. You can pre-order the album today and get an immediate download of the album (along with a number of other special swag packages).
I’ve ordered my copy and I’m listening to the album now. Here are my initial thoughts:
I Was Wrong, I’m Sorry and I love You.
The title track (and first) track on the album starts out with a quiet Derek re-visiting the past as synthesized bells chime in the background. The chorus picks up in a somewhat “traditional” Webb musical style repeating the simple phrase “I was wrong, I’m sorry and I love you.”
When I shared those words on Facebook originally a few weeks ago, my dad made the comment – “nine simple words that can change everything.” I agree.
The song reminds me a lot of Caedmon’s Call latest release (which Webb helped produce), maybe even a little 40 Acres-esque.
And the video for the track is greatness! Bummed I didn’t have time to participate in the crowd-sourced piece of it.
Caedmon’s Call is back with a brand new album — Raising Up the Dead.
Derek Webb rejoins his “family” for this release and his influence is evident beyond just the production — with his writing and vocals taking part throughout the album as well.
Officially the album releases Sept. 14, 2010, but you can purchase a pre-release digital version of the album on their website today.
Musically this is a beautiful album — perhaps my favorite from Caedmon’s. You can hear the original sound that drew me to Caedmon’s Call in the first place, with an obvious maturity that comes with age and varied experiences. Continue reading Caedmon’s Call Raising up the Dead – initial thoughts
I used to think I listened to a broad range of music — but after working up a list of my favorite songs from 2009, either my preferred listening tastes are getting more defined — or perhaps 2009 just wasn’t a great year for new music. (Feel free to offer up your own theories.)
Ten spots filled by six different artists. It’s not as diverse as some, but it’s my list and what I’ve been enjoying this year.
Derek Webb’s new song is getting a lot of talk around the Interwebs these days.
I think the song is great. And I could care less about who his “target audience is.” I think it’s got a great challenging message. Continue reading What Matters More?
Earlier this week blogger Mike Morrell asked “what sould emergent/emerging worship look like and sound like?”
I’m sure everyone has different ideas. Jonny Baker is big into the alt.worship scene. Others like Solomon’s Porch, are big on their community of faith writing their own songs and sharing them together. Others I know could care less what the music looks or sounds like – they’re more interested in the celebration and the sharing of stories/testimonies. They admit that their mind wanders during community singing and they may start thinking about work, home or motorcycles instead.
Either way I believe our worship should be defined as “celebrating what God is doing.”
Michael points to 4 key elements (suggested by Adam Walker Cleveland) that should be a part of “emerging worship” ::
gender-inclusive language (esp. in our language for God)
a shift from a I-YOU-me & God focus, and a refocusing on the community
a passion for the biblical themes of social justice, peace and a desire to speak for the oppressed
maybe just some more songs straight from scripture (or from saints and desert fathers), letting God’s work speak for itself, instead of pressing our own interpretation onto it, and onto the congregation that will sing the song
Some may say the words to the songs don’t mean much – but I’m a big believer that they do. When I play an artist like Derek Webb, Bob Dylan or Flobots on my Zune – their lyrics move me to action (or at least increase my desire to do something). U2‘s Sunday Bloody Sunday doesn’t allow me to sit back and ignore the violence going on in the world – it calls me to action.
And likewise, as I and others have said before, when I walk into church and only sing songs about being hungry or thirsty — I’ll probably leave feeling hungry and thirsty. But if the weight of the world is on my shoulders and I can sing songs of How Great Thou Art and How Great is Our God or other songs about the strength and might and love of my God, my burden is lightened and I’m more willing to submit control of my situation to God.
Michael points out one band that is attempting meet these four keys to emerging worship, Zehnder.
I got a copy of their album and it’s definitely a mix of musical styles. A little something for everyone perhaps. (That may be something that’s missing at encounter. We tend to lean more towards the rock or the softer acoustic/unplugged rock sound.)
On Going Up, the Zehnder brothers lyrically fit the 4 points that Michael and Adam point to, while mixing in original tunes as well as a rendition of What Wondrous Love is This. Musically I wasn’t as impressed the first time I listened to the album, but upon further listening and as the words began to sink in I’ve became more and more attracted to the music.
Musically I would say several of the songs are similar in style to Simon and Garfunkle others have more of an upbeat sound with almost a choral backing, especially on the song Rise Up ::
Rise up, feel the change!
The Resurrection comes again!
Rise up, believe the change!
We’ll never be the same again!
Spirit Born seems to have it’s musical and vocal styling influenced by Sting (download the free Mp3).
You know the wind blows, wind blows where it chooses
You hear the sound of it
But you don’t know, don’t know where it comes from
Or where it goes, it goes, it goes
Yeah, you know don’t know, don’t know where it comes from
Or where it goes, it goes, it goes
Blow through me, Wind, breathe on me, Breath, make Spirit born,
All of my soul, make Spirit born, Spirit born.
And Justice Jam could be possibly be confused with a Flobots track using backing strings, a hip-hop beat and heavy social justice lyrics (listen to a sample).
For justice I bust this flow for free
Used to be blind but now I see
Through the eyes of the elders who came before me
Like Malcolm and Martin and I can’t forget Mahatma Gandhi
Take a knee, homey / Hug an old bodhi tree
Realize how to be revolutionary
Destiny is divine when aligned with the truth
That resides deep inside that g-ride of my youth
Now I got proof of insurance and a photo ID
But I choose to tell time by Mayan prophecy – Oo, Let justice roll down…
Overall I think the Zehnder brothers have created an album that challenges us to much greater themes than much of the music you’ll hear on your local “Christian radio station.” It challenges us to think about our faith and how it impacts (or doesn’t impact) our daily lives.
I’m not sure the songs are as singable in a community settings as some that Dave Andrews has written but I definitely wouldn’t object to trying them out in a community setting.
But don’t take my word for it.
Go check out the band’s website ztheband.com and then purchase their CD from CDBaby.
And while you wait for the album to arrive, check out their 2003 rendition of Song of Peace ::
Give the band a listen and let me know what you think.
